Category Archives: The Writing World

What Are Your Characters Eating?

I love this time of the year, cuz I love food!!!  And most of your characters should, too.  Well, they don’t have to love it as much as I do, but they should especially like one particular food item.  Or better yet, make them hate one.  Food is something all readers can identify with.  If they also hate peas or love vanilla ice cream like your protagonist, then a reader will remember that.  And don’t we all want our writing to be memorable?  What if your villain and hero both loved the same food? Or what if your hero was allergic to tomatoes, but the villain lived in a tomato farm?  The villain could even blow up the local chocolate factory, causing a river of chocolatey goodness to flow right to my doorstep.  Mmmm….  Now that’s what I call a happy ending 😉

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Craft-O-Matic

If you know some one that is a craft-o-matic with their writing, then I suggest you stick close to them.  I have a few of them, but one in particular soars above all others- author Bonnie Paulson, http://www.bonnierpaulson.com/.  She drags herself from bed in the wee hours to pound the keys and surf the net.  And I (feeling a little guilty) get to glean off of what she reaps.  She’s trying to build her craft.  She finds amazing sites, blogs and hints that show how an excellent story is crafted.  She doesn’t need all the info, and neither do I.  But, some of our other friends may.  So we share and email and text our findings and links.  Well, mostly she does it, I just pass it on where it’s needed.

You never want to believe you are the greatest writer, there is always someone better.  But seriously, if an author believes their work is flawless, then they can’t grow.  And growing, changing and learning is what the writing world is all about.  So striving to build your craft is essential. I’m thankful for my craft-o-matic bud, Bonnie.  Thanks for helping me grow!

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Sending the Queries

Many authors I’ve spoken to have different ways of sending out queries.  Some do it once a day for a week.  Once they start getting rejections they send out a new query per rejection.  That way they always have the same amount out there.  Others have their list and just query everyone they possibly can.  Others send out in groups. Five to a dozen seems to be the common set.  Once nearly all of them return they send out the next set.

But, no matter how you query, just send those letters out.  At least, that’s what I keep telling myself. 🙂

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Writing Classes?

Tomorrow I’m teaching a quick class on characterization at the Jewett House for the Idaho Writer’s League.  It’s something I’ve had to learn and build on top of by taking classes myself.  But the most helpful thing to me was learing it through writing.  I’ve written two full novels, two shorts, and several partials that I’ve set aside or am currently working on.

I highly encourage all writers out there to read books on writing, but taking classes on writing can be helpful in its own way.  The feedback that other writers give you can be helpful.  Of course there’s always that one person that can be overly picky or critical, so I give you my blessing to ignore them.  But, without the help of critique partners, I wouldn’t already be on my third novel.  If you tend to hear the same suggestion over and over I suggest you look into considering their advice.  Remember, every publisher is looking for something a little different from the last.  Keep pushing and learning!

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Filed under Fiction, Flow of Life, Non-Fiction Paranormal, The Writing World

A New Publishing Category?

I love this, because it pertains to me.  “Upper YA/New Adult (17-22 yo protags) that will appeal to crossover audiences.”  I’ve been finding this in the submissions area for publishers lately.  I’ve been struggling with one of my novels because I wrote it to be Young Adult, but many beta readers felt that it was just a smidge too high of the category.  However, in the respect of intimacy and language, when comparing it to other Paranormal YA giants out there, my manuscript looked like a kitten compare to a lion.

But now I know where I belong.  The New Adult category for crossover audiences.  Yay!  These categories are pretty empty at the moment, and publishers have sent out the call.  Will you be my competition?  😉

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Be Fiction, But be Real

What does it mean to “be real?”  How could you be “real” if it’s supposed to be fiction?  I’ve run into this too many times recently and it’s bugging me.  So I figured I’ll share what I’ve learned.

To be real is to not throw stuff into your book that’s just not gonna happen.  I’m not talking about fantasy here.  If a dragon flies out of the shadows every time the wizard hiccups I’ll take that.  I’m talking about placing your character’s in situations or have them make really stupid decisions that 99.9% of the population would never do.  The other .1% is hopped up on laudanum and probably deserves to be wiped off the page…

Authors do this for a few reasons; more words, more conflict, or they just don’t know any better.  Ten years ago you could get away with this; today, not so much. And it irritates your readers.

Here are some examples –

A girl is being burned at the stake for breaking into the Duke’s keep and stealing clothing and jewels.  She worries only of her honor, and that of the Dukes, and says nothing as she fries to death.

This is completely unbelievable to me, especially when all the girl had to do was yell out “I’m the Duke’s bastard child!”  You know what?  They’d cut her down in a heartbeat and apologize profusely to her and the Duke. Nobody’s pride is that big.  If the character really must die then poison her, have her tongue cut out or have it be an accident.

A more current example –

A college age girl has been in New York for two months and is preparing to go to her idol’s concert for the first time.  However, the girl is horrendously bad with directions.  She and everyone around her knows this. Her super-hot male best friend offers to take her since he’s already going and knows the way.  But she’s so embarrassed she says no.  On the way she gets lost (of course) then sees something paramount to the plot that she would never have seen if her friend were there.

Yeah, not gonna happen!  Believe me, the girl would have gone with her hot guy friend. Trust me. Please.  Her embarrassment would not have been greater than the love of her idol, and she would not have risked going it alone and getting lost.  If she really must get lost to see this paramount thing then have the girl and her friend get separated, or at last-minute the guy might have some emergency that will make him bail on the date.  But she would not say no.

Your characters can be pretty stupid at times, just like all of can be.  But please make it believable stupidity 🙂  Your readers will thank you for it.

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The Garb

I love this quote by Frank Delaney— “One article of clothing – even the texture of the fabric: tweed, silk, creased linen – will describe an entire character.”

There you have it. ‘Nough said.

Okay, maybe I have a few words to tack on that.  Let me throw out a few characters and see if their clothing comes to mind. Sherlock Holmes, Lestat De Lioncourt, and Cinderella (before the fairy godmother).

Could you see what they were wearing?  In most cases the author only need mention the article of clothing at the introduction of the character, then make little references here and there.

Sherlock is famous for his tweed.  The vampire Lestat for his love of red velvet, and Cinderella had her tattered linen. (at least I think it was linen)  The clothes say so much about a person.  Now, what about a silk scarf on a man?  It’s black, neatly creased and hanging open around his neck.  Can you see the rest of his attire?  Or even the weather as he walks down the sidewalk?

Hopefully you’re not imagining a hot summer day with a surfer in sandals.  You might imagine a handsome man in a business suit.  Maybe the sidewalk’s wet? Or snowy?  He holds a briefcase in one hand and the latest issue of Wall Street tucked under his other arm.

Have fun thinking of clothing, and describing them.  I know I will.

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Filed under Fiction, Non-Fiction Paranormal, The Writing World

The Quote

While cruising through some submission guidelines to a large publisher they asked-  “What’s the standout line in your book?”

Do you know yours?  It can be from any character, so long as it draws emotion and/or really rings true to the reader.  It’s that line that a random stranger can say and you automatically know what book they’re talking about.  Here are some good ones-

“And so the lion fell in love with the lamb.”

“The boy that lived.”

“Sons of Adam and daughters of Eve.”

Lol. I’m starting to see a pattern with the quotes that pop into my head.  Think I read a lot of YA?  Yeah…  Did you get any of these?  One is Twilight, two is Harry Potter, and three is The Lion, The Witch and the Wardrobe.

I read on a sign in front of the doughnut shop the other day “People doubt their beliefs, but believe their doubts.”  I loved this quote.  It rang true to me.  I almost want to steal it.  I can see my hero standing in the driving rain, holding firm his ground.  He shouts to his lady love as she walks away from him, dejected and broken-

“Some people doubt their beliefs, but believe their doubts, Cami.”  His chest heaved in his soaked through white button-up.  Blond hair clung to his face. “I never thought you would be one of those people.  I know the truth and I’m not backing down.”  Cami’s  muscles went rigid.  The clack of her heels on the wet pavement silenced as she turned around.  He held his hand out to her over the sleek black top.  “What you’ve experienced is just a bump in the road, baby.  We can get through it.  Let me remind you why you believed in those things.”

Sigh… I’m enjoying the romance genre lately.  Anyway, if your characters don’t give you a great line look online for a great
quote.  You can even borrow one from a classic movie.  Just remember to give credit where credit is due!

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If You’re Not Published…

If you’re not published can you still call yourself a writer? Or better yet, an author?

Here are a few examples that may set your mind at ease.  If you are writing daily, then yes.  And I’m not talking about journaling.  Many people journal, but they don’t go around claiming to be “writers.”  I have time set aside every morning to write.  And a couple more in the evening.  When company is hanging on the bell I can literally say “I need to go to work.”  Because that’s what it is.

Join writer’s groups and critique groups.  You think you’re good.  I know you do.  You might even be very talented.  But believe me, nothing is more humbling than joining a group and hearing directly from published authors what works and what doesn’t. These are people who are talented as well.  But you have to know how the writing world works to get through the iron curtain.

Enter contests.  If you can’t get published then start entering contests.  At least if you place you can finally call yourself an “Award Winning Author.”  It will boost your confidence.  And if you are swimming in rejections then that’s a boost you need.  And you never know what publishers or agents are judging your manuscripts.

Make connections.  Start a Facebook page, blog or twitter.  Better yet, do all three.  You don’t have to be on every day, though it helps, but at least you are out there and active.

If you’ve done these things then you can proudly proclaim yourself as a working writer.  Just remember to bounce back when you get knocked down.  Believe me, all those published authors have been there.  But they kept pushing through!

Keep writing friends!

 

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Plot, Your Backbone

This is something that keeps coming up. Plot. It’s a simple word.  Yet, when writing a synopsis or query after the several thousand words it may become lost to the author.

Plot has been presented to me in three questions: What does your character want?  What’s in their way to stop them? How do they overcome it?  Those are the three simple little questions agents and publishers want answered in your queries.  But, by the time you’ve reached the end your character will be more well-rounded. There will probably be more than one goal.  There are the inner goals; Matilda wants to find love. And the outer goals; Matilda’s dream is to make the largest hot fudge brownie sundae in the world. (I’m on a diet, give me a break!) In the middle east. Then she’ll win that treasure that will help pay the ransom for her kidnapped chihuahua.

Which goal is a little more driving?  The love or fulfilling her dream in a war-torn area so she can save her beloved pet?  Okay, maybe that’s a smidge overboard… But I do tend to focus more on the love (because those are the scenes I pour over) than the big huge elephant in the room.  Or tiny yapping chihuahua, whatever.

The best way to get around that inner and outer goal conflict? Write a little one page cheat sheet of where you expect your story to go.

What does the character want?  To create her dream dessert and save her pillaged pup.

What’s in her way?  The middle east and lack of money.

What helps her overcome it?  She’s unknowingly fallen in love with her dog’s kidnapper, the prince of the land. She doesn’t win, but she becomes a princess and gets the dog back anyway.  The prince names a day after her mountainous dessert and celebrates it yearly.

Now I can begin writing my tale.  Well, maybe not. But hopefully you get the hint. I think I finally have.

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